Aaron Akugbo Trumpet
Born in 1998 and of Nigerian-Scottish descent, Aaron Azunda Akugbo hails from Edinburgh and is poised as a future leading exponent of his instrument. He brings a wide-ranging musical taste to his artistry and despite being classically trained, cites Louis Armstrong as his biggest musical inspiration. He is a charismatic performer with an abundance of natural humour which translates into an effortless engagement with people and audiences.
A graduate of the Royal Academy of Music and an ex-principal of the National Youth Orchestra of Great Britain, Aaron can often be seen freelancing in the principal chairs of some of the most prestigious orchestras in the UK including the Philharmonia, BBC Philharmonic, BBC Symphony and Royal Philharmonic Orchestras.
In 2020, as part of the Southbank Centre’s ‘Behind Closed Doors’ concerts series, Aaron made his London debut at the Royal Festival Hall playing the Haydn Trumpet Concerto with Chineke!, Europe’s first Black and Minority Ethnic orchestra. His performance received glowing reviews, with the Arts Desk describing him as “a refined soloist… His sound was sweet, often lyrical… with perfect clarity and intonation”. Within the orchestra, Aaron has played in the UK’s top concert halls including Chineke’s BBC Proms debut. Aaron made his Wigmore debut playing Saint-Saëns Septet Op. 65 for trumpet, piano and strings with members of Chineke! as well as participating in the orchestra’s tour of Europe playing in halls such as the Royal Concertgebouw Amsterdam and Kölner Philharmonie.
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Upcoming Dates
9th Oct | Haydn and Ewazen with Bath Philharmonia
10th Nov | Recital Spotlight Series in Oxford with Zeynep Özsuca
11th Nov | Up Close and Musical at Fidelio Cafe with Zeynep Özsuca
19th Nov | Reading Town Hall with Ryan Corbett
30th Nov | Music in the Round in Sheffield with Zeynep Özsuca
“Trumpeter Aaron Akugbo was a refined soloist in Haydn's Trumpet Concerto”
“His sound was sweet, often lyrical, with the ability to play both legato and to manage the treacherous multi-octave leaps that Haydn sets as challenges to the soloist”.
Bach Track Review by Timothy Robson 15th December 2020